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This space is for new ideas, collaborations, and open conversations.
FAQs
Frequently asked questions about our work and process.
I focus on film and photography projects rooted in movement, performance, and culture. This includes brand films, campaign visuals, editorial content, documentaries, and social-first storytelling, primarily within sports, outdoor, and lifestyle contexts. Projects range from concept-driven productions to reduced, observational work.
I am based in Munich, Germany, and regularly work across Europe. For the right project, I am happy to travel internationally. Location is part of the story, not a limitation.
Projects usually start with a conversation. You share your idea, goal, or challenge, and we explore whether it is a good fit. From there, I propose an approach covering concept, scope, timeline, and budget in a clear and realistic way.
Turnaround time depends on the scope and complexity of the project. Smaller productions can take a few days to a week, while larger projects may span several weeks from concept to final delivery. Timelines are always defined upfront.
Yes. We often work from the earliest stages, shaping concepts, visual language, and narrative direction. I am equally comfortable executing a clearly defined brief. The process adapts to the project rather than the other way around.
Yes. I collaborate with brands, agencies, athletes, creatives, and individuals who value clarity, quality, and thoughtful storytelling.
Absolutely. References, moods, and visual directions are welcome. At the same time, I offer guidance to ensure the result feels authentic, considered, and aligned with the story rather than driven by short-lived trends.
Pricing is project-based and depends on scope, usage, production requirements, and timeline. Instead of fixed packages, I create transparent offers that reflect the actual work involved from concept to final delivery.
I focus on film and photography projects rooted in movement, performance, and culture. This includes brand films, campaign visuals, editorial content, documentaries, and social-first storytelling, primarily within sports, outdoor, and lifestyle contexts. Projects range from concept-driven productions to reduced, observational work.
I am based in Munich, Germany, and regularly work across Europe. For the right project, I am happy to travel internationally. Location is part of the story, not a limitation.
Projects usually start with a conversation. You share your idea, goal, or challenge, and we explore whether it is a good fit. From there, I propose an approach covering concept, scope, timeline, and budget in a clear and realistic way.
Turnaround time depends on the scope and complexity of the project. Smaller productions can take a few days to a week, while larger projects may span several weeks from concept to final delivery. Timelines are always defined upfront.
Yes. We often work from the earliest stages, shaping concepts, visual language, and narrative direction. I am equally comfortable executing a clearly defined brief. The process adapts to the project rather than the other way around.
Yes. I collaborate with brands, agencies, athletes, creatives, and individuals who value clarity, quality, and thoughtful storytelling.
Absolutely. References, moods, and visual directions are welcome. At the same time, I offer guidance to ensure the result feels authentic, considered, and aligned with the story rather than driven by short-lived trends.
Pricing is project-based and depends on scope, usage, production requirements, and timeline. Instead of fixed packages, I create transparent offers that reflect the actual work involved from concept to final delivery.
I focus on film and photography projects rooted in movement, performance, and culture. This includes brand films, campaign visuals, editorial content, documentaries, and social-first storytelling, primarily within sports, outdoor, and lifestyle contexts. Projects range from concept-driven productions to reduced, observational work.
I am based in Munich, Germany, and regularly work across Europe. For the right project, I am happy to travel internationally. Location is part of the story, not a limitation.
Projects usually start with a conversation. You share your idea, goal, or challenge, and we explore whether it is a good fit. From there, I propose an approach covering concept, scope, timeline, and budget in a clear and realistic way.
Turnaround time depends on the scope and complexity of the project. Smaller productions can take a few days to a week, while larger projects may span several weeks from concept to final delivery. Timelines are always defined upfront.
Yes. We often work from the earliest stages, shaping concepts, visual language, and narrative direction. I am equally comfortable executing a clearly defined brief. The process adapts to the project rather than the other way around.
Yes. I collaborate with brands, agencies, athletes, creatives, and individuals who value clarity, quality, and thoughtful storytelling.
Absolutely. References, moods, and visual directions are welcome. At the same time, I offer guidance to ensure the result feels authentic, considered, and aligned with the story rather than driven by short-lived trends.
Pricing is project-based and depends on scope, usage, production requirements, and timeline. Instead of fixed packages, I create transparent offers that reflect the actual work involved from concept to final delivery.